#Rivals sports bar access kauffman stadium seriesYet even the most hardcore Rice lovers will find themselves hard-pressed to complain about the way the series leans hard into the power of Rice’s literary gifts.īlessed by its episodic long-form narrative with the ability to take its time, the show gives us lengthy, rapturous sequences in which the author’s lushly romantic, searing and passionate prose – or language inspired by it – becomes the main attraction. Such bold efforts to reinvent the story for a new era might well raise hackles among Rice’s fans, some of whom may decry the changes as unnecessary capitulations to a modern “woke” sensibility that seems far away from the unapologetically hedonistic worldview at the core of Rice’s books. Jones’s show corrects for that, cementing the connection between Rice’s brooding, sexually fluid vampires and the millions of queer fans that have seen themselves reflected in the pages of Rice’s books all along. Though later installments in the chronicle were more directly candid about the nature of Louis’s relationship with Lestat, the original book never quite allowed its conflicted hero to fully own his sexuality. #Rivals sports bar access kauffman stadium licenseThe updated premise, however, allows for some not-so-minor changes in the details– not the least of which is making its protagonist a person of color, a successful New Orleans businessman of Creole descent instead of a wealthy white plantation owner with slaves, which refreshes its relevance for a 21st century audience while expanding the scope of the themes enfolded within the gothic architecture of its plot.īesides bringing America’s troubled relationship with race into the forefront of the story, the show’s “faithful with license to adapt” approach allows it to unequivocally express the queerness that made the book and its sequels a touchstone for countless LGBTQ readers across the years. The tale he tells – beginning with his mortal life as the scion of a wealthy Louisiana family and his transformation by the amoral yet charismatic vampire Lestat (Sam Reid), to whom he then becomes lover and companion – remains largely the same, in broad swaths. Fifty years later, Louis feels he was not ready to be completely honest during that original interview in the 1970s, and he has endeavored to bring the same reporter – now a seasoned veteran journalist battling Parkinson’s disease (Eric Bogosian) – to his sumptuous headquarters in Dubai so that he can set the record straight. In the re-imagined scenario constructed by show creator Rolin Jones, however, there have been some updates. Like Rice’s novel, the series centers on Louis de Pointe du Lac (Jacob Anderson), a vampire who – for his own inscrutable reasons – decides to tell his life story to a young reporter. So far, despite a few notable divergences from the source material, things look promising. It also means that the series must live up to a very high standard if it wants to keep those fans watching. 2 – is guaranteed a sizable built-in audience. That, of course, means that AMC’s new series adaptation of Rice’s seminal book – which premiered on the cable network with its first two episodes on Oct. The author – who passed away at 80 last December – would eventually pen a total of 13 books in a series that became known as “The Vampire Chronicles,” and her fans have remained loyal – some might even say obsessive – to this day. Readers, however, were more responsive, and Rice’s fan base grew enough to make the book’s first sequel (1985’s “The Vampire Lestat”) into a bestseller. That can be a disturbing revelation for some, and Rice’s book wasn’t an instant hit reviews from critics, who weren’t ready to see the ocean of counter-cultural nuance beneath the shocking and gory details of the plot, were mostly dismissive. Suddenly, the monster was the hero of his own story instead of the villain in someone else’s, allowing us to embrace our vicarious participation in his sensual pleasures and face a fact we all suspect in our hearts to be true: that given the chance, each and every one of us would probably choose to be a vampire. Before “True Blood” or “Twilight,” or any of the other popular vampire fantasy sagas that have played on the more seductive aspects of the vampire mythos, her 1976 debut novel “Interview with the Vampire” paved the way by forcing readers to identify with its “evil” narrator.
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